Odette/Odile in Swanlake with the Royal Swedish Ballet
”She embodies the romantic ideal woman, vulnerable and with melancholic pleading arms… That she masters an entirely different aspect as well is seen in her convincing portrayal of Odile she dances a modern ”femme fatale”, unbeatable! – Svenska Dagbladet
Solveig in Per Gynt with the Royal Swedish Ballet
”Nathalie Nordquist, a loving Solveig, has the ability to hold the stage both in dance and in stillness” – Dance Europe
Cinderella in Cinderella (Cendrillon) with the Monte-Carlo Ballet.
Although there was only one dysfunctional family, it resembled ”Romeo and Juliet” in the youthful exuberance of the duets between the good-natured Cinderella (suitably danced barefoot by a lovely Nathalie Nordquist) and The Prince (a passionate Asier Uriagereka), who were, in this case, guided toward each other by the Fairy Godmother. -Pittsburg Post-Gazette
Hermia in A Midsummernight’s Dream (Le Songe) with the Monte-Carlo Ballet.
The scenes with the Athenians are the most academically ”balletic,” and there are some lovely moments. When the Duke takes Hermia — the exquisite Nathalie Nordquist– from Lysander, he literally peels her away limb by limb. -The Ottawa Citizen
Olga in Onegin with the Royal Swedish Ballet.
”Nathalie Nordquists Olga, is as exquisite as cherry blossoms, light as a birch leaf. Glittering, quick to mischief.” -Svenska Dagbladet
Isolde in Tristan with The Royal Swedish Ballet.
”The feelings are present in a breathtakingly beautiful pas de deux… Isolde by Nathalie Nordquist is excellent.” – Uppsala Nya Tidning
Bluebird Pas de Deux in Sleeping Beauty with the Royal Swedish Ballet.
”Nathalie Nordquist, a young dancer, who seems incapable of putting a foot wrong, was glorious in the Blue Bird Pas de Deux.” -Dance Europe
Artifact Suite with the Royal Swedish Ballet
”In the duets Nathalie Nordquist and Arsen Mehrabyan shine!” -Svenska Dagbladet